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Following his great success with the acclaimed 'Roberto Succo' and his earlier 'L’Ennui', Cédric Kahn’s new film RED LIGHTS, based on a Georges Simenon novel, was shown In Competition at this year’s Berlin Film Festival.
Summer in Paris. Antoine (masterfully played by Guédiguian regular Jean-Pierre Darroussin) and Hélène (Carole Bouquet) are driving to the south to pick up their children at summer camp. |
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The roads are packed with heavy holiday traffic and miles of gridlock is expected. Antoine, annoyed by his wife’s running late, tries to cool himself with beer after beer. By the time they
hit the road, he has topped the beers with whisky but tries to conceal his drunkenness.
Traffic slows and tempers flare. Antoine accuses his wife of not treating him like a real man.
At each forced crawl and stop they break into accusations. He takes random turns and con-
tinues drinking in small town bars and pubs. The roads are busy with holiday goers and the police. A brief radio announcement reveals that a dangerous killer has escaped prison.
The couple continue quarrelling. When she is temporarily left alone in the car and worried by Antoine’s inebriated state, his wife decides to go her separate way and to look for alternative transport. Finding her gone, Antoine panics for a moment, but soon settles back to enjoy himself like ‘a real man’. It’s a long night and every anonymous bar sign and neon light invites him for one more drink. He picks up a hitchhiker who turns out to be the escaped killer and who, unbeknown to him, already just encountered his wife. The events start moving out of Antoine’s control and turn into a night of horror. The film climaxes the next day when he wakes up in the middle of nowhere and goes looking for his wife…
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