THE DEVIL, PROBABLY

Regarded by many as a masterpiece,
Bresson’s film tells the story of a young
man living in Paris who desires more from
life than the glib, superficial truths and
material things that are on offer to him.
He reaches out to his friends and psy-
chiatrist to provide him with the great an-
swers in life.

But his spiritual deliverance remains be-
yond his grasp until he reaches a bizarre
arrangement with a fellow drifter.

Shot in his signature spare style, Bresson’s penultimate work is as visionary hyptonic and en-
during as any of the films in his truly remarkable career.


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